#9. Mad Monster Party (1967)
Made by the folks who made Rudolph the Red Nosed Reindeer. This plot is slow, the pacing is slow, the dialogue is slow, but it’s still worth it. The animation is great. The story is absurd, but hilarious; something Woody Allen might have dreamt up. The score is fantastic, but I’m a sucker for the groovy sixties scoring in the vein of Les Baxter and Vic Mizzy.
#8. Nosferatu (1922 & 1979)
The silent film is a classic. It is iconic, but many people still haven’t seen it because they aren’t fans of silent film. It is worth it, though. The creepy, eerie, evilness of the main character is still effective. The story is almost an exact faithful adaptation of Bram Stoker’s Dracula, with only the names changed. They did this because they couldn’t afford the rights, and even still after a small showing the film was destroyed for copyright infringement. It is lawlessness that allows it to still exist, which seems fitting. The 1979 version, by Werner Herzog, is an updated version, equally creepy and disturbing, but for many different reasons. The character and makeup of both “Draculas” are an interesting take, and I’m glad they did them.
#7. Wallace & Gromit: The Curse of the Were-Rabbit (2005)
When I heard about this movie, after having loved the shorts, I thought, “Really? Is that they best they could do? A FEATURE movie and they are wasting it on a simple, Halloween-y story about a rabbit?” What I should have thought was, “Amazing.” This is wacky British humor at it’s best. And who doesn’t like a clay-mation movie? No one who matters, that’s who. If you like movies made by people who love schlocky movies but are really good at making them, then this is for you.
#6. Young Frankenstein (1974)
Mel Brooks’ delicious send up and loving homage of the 1930’s Universal Horror movies, notably Frankenstein. Some say it is Brooks’ best film. While I disagree, it is terrific Hallowe’en comedy. The style is slow and methodical, and the jokes are sometimes subtle, sometimes in your face, but they are all perfect. It makes me think of a time when you know you were watching a movie, and marveled at its construction, while still being thoroughly entertained. It’s like we are all in on the joke and fun of telling a funny story. “Puttin’ on the Riiiiiiiitz!”
#5. The Haunting (1963)
I won’t say this is a prototypical haunted house story, but it is probably the best. It is based on a scary Shirley Jackson book, and made into a scary movie by Robert Wise, so it has a great pedigree. The fright is developed by sound effects and silence and constant camera movement. It seems as if the camera is a an ethereal spirit at points, floating back and forth down hallways and into rooms. It is so effective because of pressure. It builds up in the story and then lets it escape at the right time. When I encountered that, I screamed and jumped over the back of a couch. Whilst watching with other guys. They didn’t make fun of me, because it was freaking scary.