-A Review-
This album is not Odelay, and that is both bad and good. Bad, because Odelay is so good that to simply not be it is bad. Good, because it, also, is really freaking good. It came out in a year that produced only a few albums of like caliber (Yield, Hello Nasty, You’ve Come a Long Way, Baby, LoZ, OoT), but it was overlooked nonetheless. As usual, the commercial failing of this great album can be chalked up to record label idiocy, but it seems to go deeper than that:
Odelay (1996) was largely the responsibility of the Dust Brothers, so of course it was edgy, funky, crazy, awesome. Nigel Godrich, while probably more of a genius than both of said Brothers combined, should never have been expected to follow them and produce the same excitement. Who’s going to put on Paul’s Boutique while the party warms up, then slam down Kid A to really get the place jumpin? Nobody, that’s who. The same thing happened later in Beck’s career: Guero hit the stores, and DJs told us, “Finally! Beck made another Odelay!” Then The Information gloriously incarnated itself into our presence, and the same DJs said, “Don’t bother, it’s just another weird Beck album.” (DJs usually don’t know jack phooey, btw.)
So trust me: It’s good. Real good. It can sound a bit silly at times (for a mellow Beck album, it certainly isn’t as mature as Sea Change) but try your best to appreciate what Messers Beck and Godrich accomplished: compared to Beck’s previous output, these songs sound like something even our parents would enjoy. And at the same time, they still contain the art-studio craziness that we had come to love and expect. (Track 01: “Cold Brains.”) And if you still can’t get into it, turn it up louder. That usually works.
Highlights:
“Nobody’s Fault But My Own”
The album version is amazing, but not as amazing as this:
“Tropicalia”
Best use of that “hoo uh huh uh” instrument since “Me and Julio.”
“Sing it Again”
Beck meets Willie Nelson. Easily on my top 5 list of guitar solos. (Yes, really.)
“Static”
Ends the album on a serious note that still leaves you feeling okay. Beck at his soothing’st.
“Diamond Bollocks” (Hidden Track)
Actually ends the album on the very opposite note. Beck at his crazy’st. Also, the reason I bought a drum set. Also, it’s called “Diamond Bollocks.” C’mon.